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4月20日 02:11 /2005/11/05/0000073089.html

《蒲公英》(Tampopo1985)2cd[DVDRip]

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电影/喜剧

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2005-11-05 09:30

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2005-11-06 14:27

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[蒲公英].Tampopo.1985.DVDRip.XViD-SFM.CD1.avi 695.2MB

[蒲公英].Tampopo.1985.DVDRip.XViD-SFM.CD2.avi 675.3MB

[蒲公英].Tampopo.1985.Dvdrip.Xvid-Sfm.Cd1.srt 36.9KB

[蒲公英].Tampopo.1985.Dvdrip.Xvid-Sfm.Cd2.srt 23.1KB

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中文名称：蒲公英

英文名称：Tampopo1985

别名：Dandelion(1985)

资源类型：DVDRip

版本：2cd

发行时间：1985年

电影导演：伊丹十三

电影演员：山崎努..... Goro

宫本信子 ..... Tampopo

Ken Watanabe..... Gun

役所广司..... Man in White Suit

Rikiya Yasuoka..... Pisuken

Mario Ab ..... Restaurant Owner

Izumi Hara..... Old woman, pressing Camembert cheese

Isao Hashizume ..... Waiter

井川比佐志 ..... Running man

Toshimune Kato ..... Young Employee

Yoshihiro Kato .....

加藤嘉 ..... Noodle-making master

Fukumi Kuroda..... Man in White Suit's Mistress

Nobuo Nakamura..... Old gentleman

Mariko Okada..... Spaghetti sensei

Hideji Otaki ..... Rich Old Man

Ryutaro Otomo ..... Japanese noodle sensei

Yoshihei Saga..... Salaryman

Kinzoh Sakura..... Shohei

Setsuko Shino..... Old Man's Mistress

Hitoshi Takagi ..... Restaurant Owner

Choei Takahashi..... Salaryman

Akio Tanaka..... Salaryman

Masahiko Tsugawa..... Supermarket manager

Yoriko Douguchi ..... Pearl Diver (uncredited)

Narutoshi Hayashi ..... (uncredited)

地区：日本

语言：日语

简介：

导 演： Juzo Itami

主 演： Mario Abe 洞口依子 Yoriko Douguchi Izumi Hara Isao Hashizume Narutoshi Hayashi Hisashi Igawa Toshimune Kato Yoshi Kato

上 映： 1985年11月23日 ( 日本 )更多地区

地 区： 日本

对 白： 日语

评 分： 7.7/10( 3045票 )

颜 色： 彩色

时 长： 114 分钟

类 型： 喜剧 西部

分 级： 澳大利亚：M 英国：18 加拿大：14A 新加坡：R(A)

IMDB链接 /title/tt0092048/

字 幕： 英文

简 介：

蔳公英

Zen and the Art of Noodle Eating

No, a Japanese comedy isn”t an oxymoron. In this one you can forget all the swordplay of the Samurai movies, and all the tragedy of the modern dramas. This one is really funny.

The plot is skeletal. Two guys happen upon a woman named Tampopo ("Dandelion") trying to manage a run-down noodle shop and they decide to help her turn the place into an economic and gastronomic four-diamond establishment. They succeed. That”s the plot. The whole plot.

But the film is fleshed out with episodes, usually unrelated to one another, some of them as amusing as anything ever put on the screen. Every single sidesplitting one is played and directed in a straight-faced way.

I”ll give just one example. A gangster and his beautiful moll are about to make love. They kiss passionately. The camera moves in for a closeup of their lips and we see that a raw egg is being slipped back and forth between mouths. The couple progress to foreplay in the nude. The foreplay consists of the man slapping a clear plastic pint of live shrimp upside down on his lover”s belly. The shrimp skitter around on her flesh and she titters and writhes with desire. Later, alas, the young man is shot multiple times by rival mobsters. He”s sprawled on his back in the dirt, his white clothes soaked with blood. She rushes to him and kneels beside him, weeping. He goes into the cliche of the "last dying words," barely able to gasp them out. What does he tell her? That he loves her? That he regrets his disreputable life? No -- he launches into an outrageously long story about hunting boars when he was a child. The boars would eat nothing but yams, when the yams were ripe. They became stuffed with yams and nothing but yams. Then when they were hunted down, the boars yielded long strings of intestines that were packed with yams. "They were like yam sausages, you see." I don”t think I caught the tail end of his narrative because I was dissolved in laughter.

The whole thing revolves around food in its various forms. People rise from the dead to cook a final meal for their grieving families. They prepare the most mouthwatering rice omelettes imaginable. Proper young ladies learn how to eat noodles without making vulgar sounds. They do all sorts of things with and about food. Cuisine is to this movie what sex is to Italian comedies.

Do not be put off by the fact that this movie has subtitles. In poor movies subtitles are a distracting nuisance. But in this case, you”ll hardly notice them, hardly be able to read them through the laughter.

《蒲公英》与依丹十三几乎是同义词，几乎每个看过的人都对於片中的拉面食指大动。依丹十三在这部他称为西部拉面片的影片里将好莱坞西部片的模式套进日本的饮食文化主题里，笑感十足。全片将与食欲相关的层面，性、视觉、触觉、阶级、性别、病痛等，以拼凑的方式作了全面的介绍。